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Avalanche Film Room: Makar’s magical moment

AJ Haefele
AJ Haefele
April 16, 2019
Avalanche Film Room: Makar’s magical moment

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AJ Haefele

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Guitarpick8120

Guitarpick8120

April 17, 2019

One of the craziest things to me about Makar’s speed in this play is that from the time he hits the red line all the way in to the goal he’s gliding. He and Backlund hit the red line at basically the same time, and while Backlund is obviously traveling a farther distance to try and cut off Makar’s path, his 4 extra strides from the red line in aren’t enough to catch up to the gliding rookie.

I know players are consistently told to keep their feet moving, but I think if Makar had, he would’ve hit the blue line a moment after Mack and probably wouldn’t have been able to handle the slightly misfired pass.

That’s unreal speed.

ryantbell

ryantbell

April 17, 2019

Love these film rooms. It’s something I’ve noticed that’s different between US and Canadian broadcasters. US broadcasters are more like cheerleaders narrating a play, while Canadians have such an eye for the game that they dissect how it’s being played in real time. With that, here are a few other aspects of this play:
– Mack’s drop pass is actually pretty good. He puts it into winnable space for Makar. It’s a lot like the pass Mack got from Rantanen in OT the other day. Tape-to-tape passes are great, but at NHL speeds and gapping the lanes are so tight, a player has to be able to reach for some passes. Incredible Makar could do this on his first-ever goal.
– Mack’s drive to the wall as he makes the pass creates that hole in the first place. This is a big part of Mack’s game that’s taken him to the next level.
– And to reiterate @guitarpick8120’s point, Makar’s acceleration is superb on this play. Not only does he skate the full length of the ice to be in the play, he’s matched Mack’s speed to the lou t he has to coast in order not to overstate him.
– And how about that fire power on the face off (though it was lost): Makar on left, Barrie on right. Whichever way a draw back would go, it loads right into a howitzer.
– Next up, how about a film room for Kerfoot’s masterful use of the no-look pass.

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